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But to complete the puzzle he needs the talents of one Thom Laybrick (Freddie Highmore), a genius-level engineering school graduate with a rebellious streak who is in the midst of turning down six-figure job offers from oil companies when he gets a mysterious text inviting him to change his life forever - and before you can say “screenplay contrivance,” Thom is all-in on the dangerous mission, which will result in either a lifetime of riches or a near-lifetime prison sentence.
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Walter’s crew includes the former MI6 operative and ace diver James (Sam Riley), master of disguises and cons Lorraine (Astrid Berges-Frisbey), the sentimental, reliable old hand Simon (Luis Tosar) and the German computer hacker Klaus (Axel Stein).
The vault movie 2021 series#
Walter also happens to be a heist-master of considerable skills, so he maps out a crazy plan to reclaim the treasure from the vault some 120 feet below the Bank of Spain - a vault with a series of steel doors, a vault that floods to drown any would-be thieves. “The Onion Knight” on “Game of Thrones,” is squarely in his comfort zone as Walter Moreland, a salty old British deep-sea shipwreck salvager who finds a legendary treasure buried by Sir Francis Drake - only to have it seized because the prize was in Spanish national waters. The Irish-born Cunningham, best known for his role as Davos Seaworth a.k.a.
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Set against the backdrop of Spain’s run to the FIFA World Cup in 2010, this is a sometimes convoluted but entertaining thriller with some pulse-pounding sequences where nearly move is fraught with peril and we hold our breaths hoping our antiheroes can pull off the Heist of the Century (or at least ONE of the Heists of the Century). Santaolalla, Michel Gaztambide and Rowan Athale. But it doesn’t do enough to distinguish itself from the rest of the heist pack.Saban Films and Paramount Pictures present a film directed by Jaume Balagueró and written by Rafa Martiěnez, Andreěs Koppel, Borja Glez. The film isn’t technically bad, nor does it do anything particularly wrong. Well crafted and smartly paced, The Vault is a glossy slice of high-octane fun. While these plot beats are almost mandatory inclusions at this point, they add nothing of note to the events, while detracting from their enjoyment. Alongside a cheesy suiting-up montage, the third act is loaded with uninspired twists and the obligatory how-they-did-it reveal. The action-thriller offers a fun and unique twist on the classic heist movie, though it cannot help but indulge in some of the genre’s worst habits. When it’s time for the climax, the main robbery itself is smart, suspenseful and exciting – just the way it should be. Balagueró keeps the events unfolding at a steady pace, which keeps viewers enthralled in the action as the crew’s plan comes together. What follows is a series of slickly executed sequences that see the crew get ever closer to solving their conundrum, with one early infiltration mission establishing the stakes and setting nicely. His crew have most of the details worked out except for the secrets of how the vault works, and that’s where Thom comes in. After turning down a dozen high-paying corporate jobs, he’s approached by self-proclaimed treasure hunter Walter (Liam Cunningham), who wants his aid on a salvage mission – the job: to recover artefacts they believe will lead them to Sir Francis Drake’s long-lost treasure from the Bank of Spain. The plot centres around Thom (Freddie Highmore), a genius engineer freshly out of university. While this picture sustains the action and suspense throughout, it unfortunately falls into a number of genre trappings. The director uses every frame and edit of his latest venture to move the narrative forward while forging a genre piece that pays homage to the old classics Italian Job and Oceans Eleven. Jaume Balagueró’s (one half of the team behind Rec) The Vault (aka Way Down) is a suave heist thriller that comes together like a well-oiled machine.